You were walking, though you couldn’t say where to. There was no destination — just movement. Bicycles passed beside you, not ridden, only rolled by quiet figures. The street felt slowed, as though the city had exhaled and chosen not to breathe back in.
Beside you was someone — a companion, a friend perhaps — but their presence was hazy, like a memory unspooling. They stayed close without speaking, then at some point, they were gone.
You stepped into a space that might have been a café, or a shrine, or both. The interior was hushed, saturated in a kind of amber stillness. Its walls didn’t simply hold space — they seemed to observe it. Shelves leaned with objects that looked curated but not labeled. Paintings hung slightly off-kilter, reluctant to reveal what they were trying to say.
The woman — or the memory of her — had disappeared down a corridor, long and dim, without turning back.
You didn’t follow.
You stood, not quite a guest, not quite an intruder. The proprietor of the space moved behind you like incense — present but unspeaking. You could feel him watching without malice, as though guarding a question he hoped no one would ask.
Out the window, a movement caught your eye. Across a courtyard or through some inner glass partition, a figure was performing — or was it simply moving? There was a rhythm to it, the kind of cadence that suggests ritual more than routine. You found yourself unsure whether you were witnessing a performance or the dream of one.
Without knowing why, you asked the man behind you, softly, “Is this… an installation artist?”
There was a pause. The kind that isn’t empty but charged. You didn’t turn around, and he didn’t approach. His answer came low, deliberate:
“That’s a perceptive question,” he said, as if each word were placed gently in your palm.
“Most people never ask about anything.”
Nothing more followed. Just the stillness again — the space breathing, the moment hanging suspended.
No answers. No confirmations. Just the quiet acknowledgment that something had been asked, and something had answered — not with facts, but with a shift in the air. A weightless knowing.
And there, in that slight drift, in the lingering trace of sandalwood across your ribs, you understood:
This was not a place where the dust ever settles.
Notitia is the art of attending —
not to fix or define,
but to stay close
to what flickers, folds, or resists.
Stay with us.
Stay with what shimmers.
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